Correction HANDWOVEN Jan-Feb 1987 (v.8#1) pg. I-16
Three dresses to weave and sew. (1) Evening dress is a long rectangle with loom-shaped square neckline. Shoulders are softly gathered and accented with cascades of exotic feathers. (No detailed instructions.) (2) Classic dinner dress has loom-shaped square neckline and elbow-length sleeves. Bands of leno accent the yolk and hemline. (3) "Silver icicle" dress is sewn using a commercial pattern. Icicles are woven in clasped weft technique on a crepe weave background. Fabric is cut so a band of icicles drops from the right shoulder diagonally across the bodice and over the left hip.
HANDWOVEN Jan-Feb 1987 (v.8#1) pg. 43, I-4
"Sea crystal" dress. Short-sleeved dress with a circular neckline is woven in plain weave with blocks of canvas weave at the hem and sleeve edges. Strands of space-dyed nubby yarn run through the warp, producing a subtle striped effect.
HANDWOVEN Mar-Apr 1987 (v.8#2) pg. 55, I-11
"Swirl" dress, an on-the-bias piece with three-quarter raglan sleeves, drapes from the shoulders without a waist seam. Fabric is a striped plain weave that combines several textured yarns. Requires about six yards of 22"-wide fabric.
HANDWOVEN Jan-Feb 1989 (v.10#1) pg. 96
Two-piece dress features a round neckline and short sleeves on the T-top. Skirt is gathered on elastic threaded through a top casing. The plain-weave fabric has accent stripes of flake yarn. The neckline of the yoke and lower center front of the skirt are embroidered with daisy motifs.
HANDWOVEN May-Jun 1989 (v.10#3) pg. 53, 82
Evening gown in plain weave with supplementary warp stripes. Requires purchased pattern.
HANDWOVEN Jan-Feb 1995 (v.16#1) pg. 49, 85
Origami update. Garment design variations based on the six-square origami top. (1) Short-sleeved top. (2) Short-sleeved tunic. (3) Long-sleeved tunic. (4) Eight-squares tunic. (5) Nine-squares dress. Drafts are included for a Lace Bronson fabric (used for the six-square, short-sleeved tunic) and for a silk twill fabric (used for the nine-squares dress).
HANDWOVEN Mar-Apr 1996 (v.17#2) pg. 35
White scarf dress and mobius-strip shawl are woven on one warp. Dress is woven in one piece with a vertical slit neckline. Supplementary warp is positioned on the dress fabric to resemble a shawl thrown over the shoulder. The shawl is woven on the same warp, using a novelty boucle in alternative weft picks.
HANDWOVEN Jan-Feb 1998 (v.19#1) pg. 36
Chenille tunic dress is woven in three pieces with accent stripes. Requires a 2-harness or rigid heddle loom.
McCALLS NEEDLEWORK & CRAFTS Fall 1979 (v.24#3) pg. 102, 156
Designing handwoven clothing. Covers fiber choice, yarn structures, weave structure and finishing. Includes diagrams for a caftan and two styles of halter dresses.
SHUTTLE, SPINDLE & DYEPOT #37 Winter 1978 (v.10#1) pg. 88
A woman's simple dress or jumper in plain weave.
SHUTTLE, SPINDLE & DYEPOT #58 Spring 1984 (v.15#2) pg. 42
Woman's short-sleeve striped V-neck dress with matching bag in a plain weave.
SHUTTLE, SPINDLE & DYEPOT #59 Summer 1984 (v.15#3) pg. 74
Make a woman's 3/4-sleeve dress in a honeycomb weave on a four harness loom.
SHUTTLE, SPINDLE & DYEPOT #62 Spring 1985 (v.16#2) pg. 6
Capitalize on diagonals. Advice on designing and assembly of a dress and three blouse variations that are based on the diagonals of 30" squares.
SHUTTLE, SPINDLE & DYEPOT #89 Winter 1991-92 (v.23#1) pg. 20
Woolen fabric to weave for a woman's dress. Yolk, sleeves and skirt have pattern bands.
WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 62
Wearing handwovens with style. Suggestions on selecting a basic garment and then designing a handwoven garment as a coordinated second layer. Includes pattern for a basic T-dress to be sewn from stretch jersey fabric. Dress can be worn strapless or with changeable neckline shapes. Pattern fits sizes 12 to 18.
WEAVER'S JOURNAL #39 Winter 1986 (v.10#3) pg. 22
Two striped dresses with pattern-weave accents are designed for weaving on a narrow loom. Warp width in the reed is 13". Dress one is sleeveless with huck-lace accents. Dress two has drop shoulders, elbow-length sleeves and ribbon and huck-lace accents.
WEAVER'S JOURNAL #41 Summer 1986 (v.11#1) pg. 27